Bat Out of Hell
あらすじ
After a hold-up, François, the angry young son of an underworld boss, escapes a fatal shoot-out. He then seeks protection from one of his father's friends who heads a gang of crooks. The latter hooks him up with Rufin, a young killer, and sends them into hiding until things blow over. But as soon as the rest of the gang joins them, François and Rufin are hurled into the heart of an internal war.
クレジット
監督 (1)
俳優 (20)
映画製作・配給会社 (4)
- 製作代表 : AFCL Productions
- 共同製作 : France 2 Cinéma
- Film exports/foreign sales : France tv distribution
- フランス国内配給 : AFMD
クレジットタイトル詳細 (15)
- 製作代表 : Anne François
- Adaptation : Xavier Durringer
- Screenwriters : Jean Miez, Xavier Durringer
- フォトディレクター : Mathieu Vadepied
- 作曲家 : Benjamin Raffaelli, Laurent Coq
- Editor : Raphaële Urtin
- 録音技師 : François Musy
- Costume designer : Anne Schotte
- エグゼクティブプロデューサー : Laurent Bénégui, Philippe Missonnier
- 撮影技師アシスタント : Antoine Gueugneau
- 報道担当（映画） : Pascal Launay
- Assistant editor : Isabelle Proust
- スクリプト : Catherine Coste
- 装飾 : Éric Durringer
- 演出助手 : Roxanne Pinheiro
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メディアギャラリー
技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : ドラマ
- 言語 : フランス語
- その他の国の共同制作者 : フランス
- Original French-language productions : 不明
- 製作国 : 100％フランス (フランス)
- 製作年 : 1997
- フランス公開 : 01/10/1997
- 上映時間 : 1 時間 55 分
- 経過状況 : 公開済み
- ニュメロ·デ Visa : 90.872
- ビザ発行日 : 01/10/1997
- CNC助成 : はい
- 生産のフォーマット : 35ミリ
- カラータイプ : カラー
- 画面セット : 1.85
興行収入・公開作品
ニュース＆アワード
映画祭でのセレクション (5)
About
"I met Jeannot six years ago, the year after his release from prison. Since then, we've been inseperable. We live two hundred yards from each other. The story of the film is linked to our friendship. We discussed it for thousands of hours. While listening to him, I discovered a world that I thought I knew through television, Italian-American cinema or other works. In fact the idea that I had of the underworld was a caricature. Our task was to leave that caricature behing us. For example, I was naive enough to think that people who hold up a bank say "Hands up" whereas the first thing they tell people to do is the opposite so that passers-by won't see them with their hands in the air. I thought a guy flew back fifteen feet when shot whereas in fact the bullet goes right through him, especially if it's a high-calibre one. In fact, screewriters use all sorts of tricks to create a sort of mythology around films dealing with underworld gangs that they only observe from afar. What interested me with Jeannot was talking about one man through the tale of a gang." (Xavier Durringer)
