あらすじ
In brief... It's 24 hours in the life of a man who returns after a thirty-year absence to the town where he spent a part of his childhood. Invited "home" to Liévin, in the north of France, as a local boy who's made good as a successful humourist (why he didn't make it sooner is for him due to a misunderstanding), his mission is to sponsor a "white night" organised by the town's cultural centre. From old friends to interviews, from dances to inaugurations, his day gradually gets out of hand to wind up in the middle of the night in the apartment of one of the women organisers of the event, into whose home he sneaks, thinking she's alone.
クレジット
監督 (1)
俳優 (12)
映画製作・配給会社 (4)
- 製作代表 : Lazennec & Associés
- Co-productions : STUDIOCANAL, France 3 Cinéma
- Film exports/foreign sales : STUDIOCANAL
- フランス国内配給 : MKL/Lazennec Diffusion
クレジットタイトル詳細 (20)
- 製作代表 : Bertrand Faivre
- Screenwriters : Christian Vincent, Jackie Berroyer, Olivier Dazat
- Director of photography : Hélène Louvart
- 作曲家 : Arno
- 監督補佐 : Jacques Royer
- Editor : Francine Sandberg
- 録音技師 : Claude Bertrand
- Costume designer : Lydie Bonnaire
- 音声アシスタント : Philippe Donnefort
- 撮影技師アシスタント : Nicolas Pernot, Loïc Savouré
- 製作部長 : Xavier Amblard
- 報道担当(映画) : Agnès Chabot
- 音声編集担当 : Philippe Heissler
- Assistant editor : Sophie Mandonnet
- スクリプト : Marianne Fricheau
- Production Designer : Sylvie Olivé
- Foley artist : Laurent Lévy
- サウンド・ミキサー : Fabien Adelin
- スチールマン : Jérôme Plon
- Location manager : Sophie Quiedeville
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技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : 人生ドラマ
- 言語 : フランス語
- その他の国の共同制作者 : フランス (100.0%)
- Original French-language productions : 不明
興行収入・公開作品
ニュース&アワード
映画祭でのセレクション (2)
代表団 (1)
About
"Christian Vincent had a real urge to go to the North. You can feel it when he films the mining villages and the slag heaps ; we're really in the North, we follow the people, we enter their homes like in a documentary. The North is a region with a strong identity. In a café scene, a guy spontaneously shakes our hands before leaving. One might think it an idea of the script-writer to amuse or surprise, but no, that's just how things are here. Today the mines are closed, the region has entered a period of decline, yet there is a hospitality, a warmth in people ; as we can see in the house scene, the door is always open. Perhaps it's because there's nothing left here, that human warmth is so prized." (Jackie Berroyer)