あらすじ
For Pierre Brochant and his friends, Wednesday is “Idiots' Day”. The idea is simple: each person has to bring along an idiot. The one who brings the most spectacular idiot wins the prize. Tonight, Brochant is ecstatic. He has found a gem. The ultimate idiot. “A world champion idiot!” Meet François Pignon, a lowly accountant at the Finance Ministry, a man devoted to his constructions made of match sticks... What Brochant doesn’t know is that Pignon is a real jinx, a past master in the art of bringing on catastrophes...
クレジット
監督 (1)
俳優 (18)
映画製作・配給会社 (4)
クレジットタイトル詳細 (24)
- 製作代表 : Alain Poiré
- シナリオライター : Francis Veber
- フォトディレクター : Luciano Tovoli
- 作曲家 : Vladimir Cosma
- Assistant directors : Laurent Petrelli, Bernard Seitz
- 編集担当 : Georges Klotz
- 録音技師 : Bernard Bats
- Costume designers : Jacqueline Bouchard, Aurore Vicente
- 原作者 : Francis Veber
- あてレコ : Daniel Russo
- 音声アシスタント : Pierre-Yves Bruneel
- 撮影技師アシスタント : Sébastien Pentecouteau, Dominique Delguste
- Camera operator : Sabine Lancelin
- Production managers : Henri Brichetti, Pierre D'Hoffelize
- 報道担当(映画) : Dominique Segall
- Sound editors : Thomas Desjonquères, Jean Gargonne
- Assistant editor : Viviane Gourvest
- スクリプト : Laurence Lemaire
- 装飾 : Hugues Tissandier
- Foley artists : Pascal Chauvin, Pascal Dedeye
- Stunt performers : Jean-Claude Lagniez, Olivier Vitrant
- キャスティング : Françoise Menidrey
- サウンド・ミキサー : Bruno Tarrière
- スチールマン : David Koskas
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技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : コメディー
- 言語 : フランス語
- その他の国の共同制作者 : フランス
- Original French-language productions : はい
興行収入・公開作品
ニュース&アワード
ニュース (4)
映画祭でのセレクション (11)
受賞 (2)
代表団 (2)
About
Some directors pick an atmosphere and a situation and tally ho, off we go! They are open to improvisation — even encourage it — and discover what they wrote on set. It wasn’t like that at all. As Francis is both writer and director, he has the exact music of what he has written in his head and he makes sure that is exactly what he gets. This isn’t the kind of film where we improvise as the mood takes us. Oh, no! Here we’re serving a script that’s down on paper, right down to the last comma. (Thierry Lhermitte - from an article in “Ciné Live”, April 1998)