A Big Scream of Love
あらすじ
Fifteen years ago they were a famous couple, darlings of the stage and silver screen, but time has passed and now Hugo and Gigi have separated. Hugo has continued his career fairly happily, but Gigi has sunk into oblivion, alcohol and depression. Hugo is preparing his comeback to the stage, but on the first day of rehearsals he discovers that his partner, a well known name in the theatrical world, has backed out. Egged on by Maillard, the financially troubled theatre manager, Hugo’s agent Sylvestre comes up with an idea: reunite Gigi and Hugo and create a media event. The only problem is to persuade the pair of them to appear on stage together — by no means an easy task, given their troubled past and waspish temperaments. Sylvestre pitches in with all his cunning and diplomacy, much to the dismay of Léon, the director of the play, for whom the prospect of having to handle these two wildcats is an ordeal he will have a hard time overcoming.
クレジット
Director (1)
俳優 (20)
映画製作・配給会社 (4)
- 製作代表 : Renn Productions
- Co-productions : TF1 Films Production, Katharina, Josy Films
- Film exports/foreign sales : Pathé Films
- フランス国内配給 : AMLF
クレジットタイトル詳細 (18)
- 製作代表 : Claude Berri
- Screenwriter : Josiane Balasko
- フォトディレクター : Gérard De Battista
- 作曲家 : Catherine Ringer
- 監督補佐 : Christophe Vassort
- Editor : Claudine Merlin
- 録音技師 : Pierre Lenoir
- Costume designer : Fabienne Katany
- 原作者 : Josiane Balasko
- エグゼクティブプロデューサー : Pierre Grunstein
- Co-producer : Josiane Balasko
- 撮影技師アシスタント : Stéphane Degnieau, Éric Brun
- 撮影技師 : Patrick Ranter (De)
- 製作部長 : Claude Parnet
- 報道担当（映画） : Marie-Josée Di Tullio
- 装飾 : Christian Gazio
- 映画輸出業者 : Jacques-Eric Strauss
- スチールマン : Philippe Quaisse
メディアギャラリー
技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : コメディー
- テーマ : カップル
- 言語 : フランス語
- その他の国の共同制作者 : フランス
興行収入・公開作品
French-speaking Switzerland
ニュース＆アワード
映画祭でのセレクション (2)
Cairo - International Film Festival
エジプト, 1998
コンペティション外作品
代表団 (1)
About
"I enjoy writing, whether by myself or as a group with the Splendid, where we had hours of guaranteed horsing around, laughing and going nuts. When I write alone, I have the pleasure of thinking I wrote that play or did that adaptation all by myself. But maybe that’s because I’m never alone, I’m with the characters. The characters lead you, you don’t direct them. After a while, when they really exist and they have their own personalities, you can’t just get them to do anything you want. They’re the boss !" (Josiane Balasko)
