あらすじ
"My son's so wonderful! What a fortunate marriage! He's been looking for such a long time. He's had lots of girlfriends, but there was always something wrong—too young, not sexy enough, too trendy, not enough class. But this time he's done it. She's got everything, that one! Pretty, intelligent, and a super-influential father ('cause that counts too—he may not look it, but he's ambitious, that son of mine). What's more, she's pregnant. This wedding day is a dream come true!" Thus spake Josette, the groom's mother, a few minutes before the ceremony began. But then Léa showed up.
クレジット
監督 (1)
俳優 (26)
映画製作・配給会社 (4)
- 製作代表 : Arena Films
- Co-productions : TF1 Films Production, Camera One
- Film exports/foreign sales : Pathé Films
- フランス国内配給 : AMLF
クレジットタイトル詳細 (19)
- 製作代表 : Bruno Pesery
- Screenwriters : Gabriel Aghion, Danièle Thompson
- フォトディレクター : Romain Winding
- 作曲家 : Bruno Coulais
- Assistant directors : Renaud Bertrand, Hiromi Rollin, Thomas Tréfouël
- 編集担当 : Luc Barnier
- Sound recordists : Henri Morelle, Dominique Gaborieau, Stéphane Reichart
- Costume designer : Jackie Budin
- 原作者 : Jean-Marie Duprez
- エグゼクティブプロデューサー : Xavier Castano
- あてレコ : Luc Palun
- Co-producers : Michel Seydoux, Jean-Marie Duprez
- 撮影技師アシスタント : Philippe Lardon
- 製作部長 : Patrick Lancelot
- 報道担当（映画） : Dominique Segall, Laurent Renard
- スクリプト : Suzanne Durrenberger
- 装飾 : Dan Weil
- フランスの配給会社 : Richard Pezet
- スチールマン : Jean-Marie Leroy
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メディアギャラリー
技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : コメディー
- 言語 : フランス語
- その他の国の共同制作者 : フランス
- Original French-language productions : はい
- 製作国 : 100％フランス (フランス)
- 製作年 : 1999
- フランス公開 : 10/03/1999
- 上映時間 : 1 時間 42 分
- 経過状況 : 公開済み
- ニュメロ·デ Visa : 91.943
- ビザ発行日 : 26/02/1999
- CNC助成 : はい
- 生産のフォーマット : 35ミリ
- カラータイプ : カラー
興行収入・公開作品
ニュース＆アワード
映画祭でのセレクション (5)
Cairo - International Film Festival
エジプト, 1999
コンペティション外作品
Moscow - International Film Festival
ロシア, 1999
パノラマ
代表団 (2)
About
"Belle Maman," like 'Pédale douce,' deals with an unsettling borderline subject in a way that, I hope, means people won't automatically feel put off. I try to express things with whimsy, affection and irony, which offsets the heaviness you get when a social issue is handled seriously. I think there has to be a lot of whimsy in terms of the tale, structure, and screenplay, as well as a lot of discipline when it comes to feelings. The feelings you express have to be just right, very real and strong—just like a serious drama—whereas everything else should be a display of fireworks. 'Belle Maman' is both fun and funny, but it's mainly a terrific love story. 'Belle Maman' is a story about passion—there's all the violence, madness and pain of loving, in short all the torture you feel when you're madly in love with a woman you can't possibly have."
(Gabriel Aghion, excerpt from an interview published in "Unifrance Film Newsletter," No. 17)
