あらすじ
"Hostile depression" is the kind that hits everyone - poor, rich, young, old - on Christmas Eve. This compulsory celebration - at once delightful and frightful - is a truth-telling moment for three sisters, Louba the singer, Sonia the lady, Milla the rebel. Likewise for their parents, Stanislas, retired Gypsy violinis, and Yvette, now a widow after the death of her second husbanb. It's not always merry, but there's plenty of laughter. A fine definition of life itself!
クレジット
Director (1)
俳優 (16)
映画製作・配給会社 (4)
- 製作代表 : Les Films Alain Sarde
- 共同製作 : TF1 Films Production
- Film exports/foreign sales : Tamasa Distribution
- フランス国内配給 : Pathé Films
クレジットタイトル詳細 (11)
- 製作代表 : Alain Sarde
- Adaptation : Danièle Thompson
- Screenwriters : Christopher Thompson, Danièle Thompson
- Directors of Photography : Jean Harnois, Robert Fraisse
- 作曲家 : Michel Legrand
- Editor : Isabelle Castro
- Sound recordists : Jean-Pierre Duret, William Flageollet
- Costume designer : Élisabeth Tavernier
- 報道担当(映画) : Dominique Segall, Laurent Renard
- Production Designer : Michèle Abbé
- デジタル映像効果 : Bruno Maillard
この映画を見る
Watch Season's Beatings in VOD
技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : コメディー
- 言語 : フランス語
- その他の国の共同制作者 : フランス
- Original French-language productions : はい
興行収入・公開作品
ニュース&アワード
ニュース (2)
映画祭でのセレクション (7)
受賞 (2)
Lumiere Awards
フランス, 2000
Meilleur scénario : Christopher Thompson
Meilleur scénario : Danièle Thompson
代表団 (4)
About
I did what I wanted, the way I wanted. It's "my" film. I'm still astounded by it! For the first time, I won't have a feeling of success of failure by proxy, hidden behind my desk, busy writing another script for another director. I did it and it was just great. The camera, lighting, movement, rhythm, actors... Ah, the actors! I knew how much I admired them. I thought about them a lot, their mystery, fragility, power. I said to myself, if one day... and then the day came; they were mine at last. With each take we became a kind of passionate couple, each of us wanting to make the other feel good, sometimes is spite of ourselves. I discovered how much I'd missed them during these years of working solely in my imaginations. I wrote their words, but how would they say them? What pace? My obsession: how would they move, where would they be, near to or far from the camera? For the first time, I didn't have to give my baby up for adoption.
Danièle Thompson - Director, excerpt from the press folder