あらすじ
Alec Fenton, an American by adoption and his wife Marjorie, an American of Greek origin, live with their two children in Athens. Both Alec’s business life and his tender relationship with his daughter, are guided by a playful but deeply felt need to interpret the smallest details of the world as significant. Under the influence of powerful signs and premonitions, Alec allows himself to veer in and out of a love affair with a colleague Katherine (Deborah Kara Unger), eventually leaving his family and returning in America with his lover. Once there however, the same belief system urges him back home for one final attempt to win back his family. His quest, however, is endangered by the presence of political activist Andreas (Dimitris Katalifos) in his family’s life. Andreas becomes the victim of a series of incidents, each one more threatening than the last. Could it be an unleashing of signs… ?
クレジット
監督 (1)
映画製作・配給会社 (4)
- 製作代表 : mk2 films
- Foreign production companies : Goatworks Films, Ideefixe Ltd, Sunshine Amalgamedia
- Film exports/foreign sales : mk2 films
- フランス国内配給 : mk2 films
クレジットタイトル詳細 (9)
- 製作代表 : Marin Karmitz
- Screenwriters : James Lasdun, Jonathan Nossiter
- Directors of Photography : Richard Pelmar, Tommaso Vergallo, Jean-Louis Alba
- 作曲家 : Adrian Utley
- Editor : Madeleine Gavin
- Sound recordists : Thierry Lebon, Jean-Pierre Halbwachs, Neil Riha
- Costume designer : Kathryn Nixon
- 製作部長 : Yvon Crenn
- 報道担当（映画） : Monica Donati
メディアギャラリー
技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : 人生ドラマ
- 言語 : 英語
- 出身 : フランス, アメリカ合衆国, ギリシャ
- Original French-language productions : 不明
- 製作年 : 1999
- フランス公開 : 29/03/2000
- 上映時間 : 1 時間 48 分
- 経過状況 : 公開済み
- ニュメロ·デ Visa : 95.375
- ビザ発行日 : 23/02/2000
- CNC助成 : はい
- 生産のフォーマット : 35ミリ
- カラータイプ : カラー
- Audio format : ドルビーSRD
興行収入・公開作品
ニュース＆アワード
映画祭でのセレクション (6)
About
I never imagined that some day I’d want to work with a composer and orchestrate images. I’ve always detested Hollywood’s contrivances with their gratuitous emotional overkill. I enjoyed working with Adrian Utley because we share the same outlook. He, too, is against film scores! It was a crucial exchange for both of us. He had to come to Athens, on location, to absorb the atmosphere and the actors’ vibes, the whole world we were creating. We were friends before the question of music was even raised.
Jonathan Nossiter, Director
