Are We All Murderers?
あらすじ
In World War II, the illiterate, starving and alcoholic twenty years old René Le Guen fights to survive and lives with his dysfunctional family in a slum. The French Resistance invites and teaches him to kill Germans and traitors. When the war ends, he continues to kill and is arrested, judged and sentenced to death in the guillotine. While in prison waiting for a possible presidential pardon claimed by his lawyer, he meets other prisoners also waiting for the dishonored death.
Source : IMDb
クレジット
監督 (1)
俳優 (84)
映画製作・配給会社 (4)
- Foreign production companies : Jolly Film, Labor Film Produzione
- Film exports/foreign sales : StudioCanal Films Limited
クレジットタイトル詳細 (15)
- Screenwriters : André Cayatte, Charles Spaak
- せりふ作者 : Charles Spaak
- フォトディレクター : Jean Bourgoin
- 作曲家 : Raymond Legrand
- 監督補佐 : Pierre Léaud
- 編集担当 : Paul Cayatte
- 録音技師 : Antoine Petitjean
- プロデューサー : André Halley Des Fontaines
- 撮影技師アシスタント : Paul Rodier
- 撮影技師 : Louis Stein
- 製作部長 : François Carron
- Assistant editor : Nicole Cayatte
- スクリプト : Simone Chavaudra
- 装飾 : Jacques Colombier
- 演出助手 : Georges Charlot
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メディアギャラリー
技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : ドラマ
- テーマ : 裁判
- 言語 : フランス語
- 出身 : イタリア, フランス
- Original French-language productions : 不明
- 製作国 : 大部分フランス (イタリア, フランス)
- 製作年 : 1952
- フランス公開 : 21/05/1952
- 上映時間 : 1 時間 55 分
- 経過状況 : 公開済み
- ニュメロ·デ Visa : 12322
- ビザ発行日 : 21/05/1952
- CNC助成 : 不明
- 生産のフォーマット : 35ミリ
- カラータイプ : 白黒
- 画面セット : 1.37
- Audio format : モノラル
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映画祭でのセレクション (1)
受賞 (1)
About
Review
It's not beyond the bounds of credibility that Ken Loach genuflects to Andre Cayatte morning noon and night because Cayatte was baring his bleeding heart when Loach was still squirreling his deep hatred of England in his subconscious awaiting release via a non-stop string of celluloid attacks on the terrible country where he is still happy to live. Unlike Loach Cayatte knew how to entertain as well as preach and spent the bulk of the 1940s giving the public the lift it needed to counter the War news. After making five films for Continental between 1942 and 1943 he teamed with Jacques Prevert to make the best of his entertainments by a country mile, Les Amants de Verone and then turned his attention to addressing social problems with this title being possibly the finest of them all. Being the craftsman that Loach is not Cayette is content to spend a couple of reels introducing his lead character whose background in a dysfunctional family makes him an ideal candidate for the Resistance to groom into a first-class killer. The problem is, of course, that once peace breaks out he is unable and/or unwilling to stop killing and inevitably is caught, tried and condemned. And this, as they say, is where the story really starts for in the condemned cell Cayatte is able both to record and register his contempt for the Penal system that still obtained in the early fifties; a system possibly unparalleled for a total lack of humanity that verged on the barbarous, one in which the condemned were given absolutely no warning of execution but merely 'surprised' in the night, manhandled out of the cell with a platitudinous Gallic equivalent of 'chin up'. Only in the daylight hours are the condemned sure of a brief respite. Cayette has turned out a masterly film which is at once harrowing to watch yet compulsive viewing.
Source : IMDb
