あらすじ
A small seaside town and its stretch of shingle beach, which, in the winter, gives the town a lunar quality. While in the summer a crowd of vacationers and regular visitors are attracted to its shores bordered with a row of bright and colorful huts.
A shingle processing factory operates at one end of the beach. Marie, an attractive young woman, works here. Her boyfriend, Paul, is a grocer in winter and lifeguard in summer. Worried about his mother, Rose, who gambles away her retirement fund in the casino’s one-armed bandits, Paul has trouble coping with Marie’s dreaminess and suffocates her with his awkward affections.
A feeling of discontent progressively overtakes Marie. The vacationers she meets as the seasons go by remind her that in her youthful dreams she imagined herself somewhere else. Albert, obliged to take over the family shingle factory, works his way out of his job. With his smart sports car, he looks exactly like a Prince Charming.
クレジット
Director (1)
俳優 (8)
映画製作・配給会社 (3)
- 製作代表 : Sombrero Films
- Film exports/foreign sales : Pyramide International
- フランス国内配給 : Pyramide Distribution
クレジットタイトル詳細 (8)
- 製作代表 : Alain Benguigui
- フォトディレクター : Stephan Massis
- Editor : Anne Weil
- Sound recordist : Sophie Laloy
- 撮影技師アシスタント : Emile Dubuisson
- 報道担当（映画） : Fabienne Ferreira-Barbosa
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メディアギャラリー
技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- 言語 : フランス語
- その他の国の共同制作者 : フランス
- Original French-language productions : はい
- 製作国 : 100％フランス (フランス)
- 製作年 : 2001
- フランス公開 : 04/12/2002
- 上映時間 : 1 時間 28 分
- 経過状況 : 公開済み
- ニュメロ·デ Visa : 98.085
- ビザ発行日 : 20/11/2002
- CNC助成 : はい
- 生産のフォーマット : スーパー16
- カラータイプ : カラー
- 画面セット : 1.85
- Audio format : ドルビーSR
興行収入・公開作品
ニュース＆アワード
映画祭でのセレクション (14)
受賞 (2)
代表団 (2)
About
“Seaside” recounts the life of a little town in the Baie de Somme, with its vast stretches of beach, little brightly painted houses, its casino. It bustles with life in summer but is deserted the rest of the year when the only activity is work at the old shingle factory. This chronicle takes place over four days (summer, winter, spring, summer) and the lives of a gallery of characters, each embodying a facet of the small town – workers, vacationers, wealthy folk – are painted through “impressionistic” touches. Paths cross, lives brush up against each other, depending on individual stories and social backgrounds. They’re ordinary lives, when dramatic events are often followed by more mundane moments. Each day takes us to a new place in each of the character’s lives. In this cyclical movement, some characters see their existence profoundly transformed, while others are barely affected. The fragmented storytelling style, be it by shifting from one character to another or from season to season, allows us to measure the effect of time on people who, like the “indestructible” stones, transform as they rub up against each other. No matter who they are, all of them must submit to the rhythm of nature and time. The factory, beach and casino are all places that weave ties between the characters and tell the tale of small, faraway and unusual town where life is the same as anywhere else, except that, in the laying bare, perhaps we get to see it more clearly. “Seaside” is a film full of atmosphere, and above all, a film about people and the things of life.
