A Saturday on Earth
あらすじ
Despondent, guilt-racked Martin sits in the middle of a country road waiting for someone to run him down, just as he accidentally struck and killed another years before. The incident has destroyed his life with his adopted family and ruined his marriage. Now he has nothing left to live for. The first car that comes is driven by his sister Claire. She manages to stop in time, but soon afterward both die. This compelling French mystery follows police as they try to piece together the tragic scenario by interviewing the residents of the coastal Normandy town where Claire and Martin lived. These people give both fictional and true accounts of Martin and Claire's lives.
クレジット
Director (1)
俳優 (39)
映画製作・配給会社 (4)
- 製作代表 : IMA Productions
- Co-productions : MP Productions, Lumière International, Arte France Cinéma
- Film exports/foreign sales : Tamasa Distribution
- フランス国内配給 : AFMD
クレジットタイトル詳細 (17)
- 製作代表 : Georges Benayoun
- Adaptation : Diane Bertrand, Guillaume Laurant
- Screenwriter : Diane Bertrand
- フォトディレクター : Michel Amathieu
- 作曲家 : Pascal Comelade
- Assistant directors : Pierre Sénélas, Agnès Petit
- Editor : Maryline Monthieux
- 録音技師 : Pierre Excoffier
- Costume designer : Madeline Fontaine
- Executive Producer : Elisabeth Deviosse
- 共同製作 : Michel Propper
- 音声アシスタント : Laurent Zeilig
- 報道担当（映画） : Laurence Granec
- Assistant editor : Valérie Pasteau
- 装飾 : Philippe Chiffre
- Sound mixers : Thierry Lebon, Vincent Arnardi
- スチールマン : Jean-Claude Lother
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メディアギャラリー
技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- 言語 : フランス語
- その他の国の共同制作者 : フランス (100.0%)
- Original French-language productions : 不明
- 製作国 : 100％フランス (フランス)
興行収入・公開作品
ニュース＆アワード
映画祭でのセレクション (1)
About
"I remember my first meeting with Elsa Zylberstein in a tearoom. Would she accept this unusual project ?... I remember her smile, the way time seemed to stand still and the dampness on my back... She accepted and everything became possible within a fraction of a second... I then remember the intense pleasure of the casting process, the generosity of the actors and the joy of accepting them too... I remember the location scouting in Normandy with Michel Amathieu and our anxiety at having to shoot on location in November when the story was supposed to take place in summer... I remember the first dailies in the parish hall in Veulettes and the whole crew waiting for a projector that wouldn't work... but I above all remember the happiness of being together to make this film, as if it was the most important thing in our lives... And, it's true, it was..."
(Diane Bertrand)
