A Stranger in Strasbourg
あらすじ
Caught in the act with her lover Jean-Paul, Madeleine kills her husband. She urges Jean-Paul to leave and meet her on a certain day at “Gretel’s”, in Strasbourg. Jean-Paul has an accident and loses his memory. The appointment in Strasbourg is the only thing he can remember. At “Gretel’s”, he is approached by a couple who recognize him as Christian Vogel, the heir to a sizable fortune. Over the next few days, several other people confirm his new identity. But Jean-Paul is the unwitting victim of a plot. Only Madeleine can help him recover his memory.
クレジット
Director (1)
俳優 (11)
映画製作・配給会社 (4)
- 製作代表 : Gemini Films
- 海外製作作品 : Madragoa Filmes
- Film exports/foreign sales : The Bureau Sales
- フランス国内配給 : Gemini Films
クレジットタイトル詳細 (18)
- 製作代表 : Paulo Branco
- Screenwriters : Evelyne Pieiller, Raoul Ruiz, Gérard Mordillat, Valeria Sarmiento
- フォトディレクター : Acacio De Almeida
- 作曲家 : Jorge Arriagada
- Assistant directors : Antoine Beau, Guillaume Roitfeld, Élodie Baticle
- 編集担当 : Rodolfo Wedeles
- 録音技師 : Michel Mellier
- Costume designer : Carine Sarfati
- 音声アシスタント : Emmanuel Pietri
- 撮影技師アシスタント : Thibaud Danton, Emmanuel Pineau
- 製作部長 : Stéphane Riga
- 報道担当（映画） : Bruno Barde, Corinne De Bury
- Assistant editors : Béatrice Clérico, Julie Decondé
- スクリプト : Françoise Thouvenot
- 装飾 : Yves Fournier
- キャスティング : Richard Rousseau
- サウンド･ミキサー : Gérard Rousseau
- 演出助手 : Jean-Dominique Chouchan
メディアギャラリー
技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : 推理, スリラー
- 言語 : フランス語
- 出身 : フランス, ポルトガル
- Original French-language productions : 不明
興行収入・公開作品
ニュース＆アワード
映画祭でのセレクション (1)
About
With ‘A Stranger in Strasbourg’ Valeria Sarmiento has embarked on a detective movie, that is a story whose twists and turns depend primarily on a hidden determinism and a voluntary construction. The result is a wry, intelligent play on the theme of intrigue and manipulation. A man with no memory wanders the streets of Strasbourg, a city whose spirit the director grasps well by filming it like a backlot movie set. In a matter of minutes, our amnesiac is identified as a wealthy businessman that his family has been trying to find for three years. We’ll say no more about the plot except that it runs like a train launched headlong down tracks that lead through areas of darkness, which Valeria Sarmiento plays with, while at the same time exposing their silliness. (Jean-François Rauger in “Le Monde”, August 20th 1998)
