あらすじ
Should I cross this street or not? Am I absolutely sure I like melted cheese? Would I take up arms to defend the Cuban health care system? Albert can never make up his mind. He hesitates over restaurant menus, political preferences, you name it. His wit deserts him when he needs it. He thinks before, and after. What will happen if this woman utters the word “mouth” in front of me? Why did I tell her I was in a rush? How do I look in this hat? Between two rounds of local elections, he meets three go-getting young women who take it in turns to shake him up, help him cross the street and get a little closer to himself.
クレジット
監督 (1)
俳優 (32)
映画製作・配給会社 (4)
- 製作代表 : Why Not Productions
- Co-productions : STUDIOCANAL, France 2 Cinéma
- Film exports/foreign sales : The Bureau Sales
- フランス国内配給 : Fox France
クレジットタイトル詳細 (15)
- 製作代表 : Pascal Caucheteux
- シナリオライター : Bruno Podalydès
- Dialogue Writers : Denis Podalydès, Bruno Podalydès
- フォトディレクター : Pierre Stoeber
- Assistant directors : Aude Cathelin, Yann Coridian, Vincent Morgenstern, Alexandre Nazarian, Raphäël Beauville
- Editors : Joële Van Effenterre, Suzanne Koch, Marie-France Cuenot, Marion Bourret, Mathilde Butor, Karine Olivier, Fabrice Salinie
- Sound recordists : Eric Grange, Emmanuelle Villard
- Costume designers : Juliette Chanaud, Dorothée Guiraud
- 音声アシスタント : Yann Le Mapihan
- 報道担当(映画) : Agnès Chabot
- 音声編集担当 : Olivier Laurent
- スクリプト : Anne Wermelinger
- Production Designers : Antoine Platteau, Françoise Rabut, Camille Guillon
- サウンド・ミキサー : Gérard Lamps
- スチールマン : Anne-Françoise Brillot
この映画を見る
Watch Only God Sees Me in VOD
技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : 人生ドラマ
- 言語 : フランス語
- その他の国の共同制作者 : フランス (100.0%)
- Original French-language productions : 不明
興行収入・公開作品
ニュース&アワード
映画祭でのセレクション (9)
Lisbon - French Film Festival
ポルトガル, 2000
シネマテークプログラム 新しいフランス映画
Melbourne French Film Festival
オーストラリア, 2000
選出作品
受賞 (1)
代表団 (1)
About
This character is not me because I can clearly see in him everything that comes from Bruno. To that extent, I’m not improvising. I don’t let myself go. Much of the work was done during the writing process, through long conversations. I think that the directing of film actors has a lot to do with this: all the discussions beforehand, the sets, the rapport with the crew and so on. It’s all part of the directing. The character is, to some extent, the product of all these parameters. [...]
What I liked about Albert was that he allowed me to switch between physical, gestural scenes where the character is a moving figure, and more interior scenes where you think more and don’t really need to act. I felt at ease in the scenes when I was a witness, as though I wasn’t playing the lead part in the film but witnessing each scene we filmed. I didn’t have to do anything, just listen and pay attention...
Denis Podalydès - excerpt from presskit