あらすじ
Luc Kaufman, a hapless young man in his thirties, is inadvertently drawn into the murder of two police officers when he breaks into his father’s house. Manipulated by Alissa, a beautiful and mysterious Lithuanian, Luc finds himself mixed up in a vendetta between old rivals from behind the Iron Curtain. Luc’s father and a Russian ex-dissident turned politician are bonded by the secret of what they both know about a murder. Alissa, driven by vengeance and Luc, just for the fun of it while he’s falling in love, will use lies of their own to uncover the truth.
クレジット
監督 (1)
俳優 (22)
映画製作・配給会社 (4)
- 製作代表 : Lazennec & Associés
- 共同製作 : STUDIOCANAL
- Film exports/foreign sales : STUDIOCANAL
- フランス国内配給 : Mars Distribution
クレジットタイトル詳細 (17)
- 製作代表 : Alain Rocca
- Screenwriters : Didier Goldschmidt, Christian Sonderegger, Jérôme Tonnerre
- Director of photography : Jeanne Lapoirie
- 作曲家 : Carolin Petit
- Assistant directors : Jean-Philippe Blime, Gérald Hustache-Mathieu, Sonia Larue
- 編集担当 : Benjamin Favreul
- 録音技師 : Didier Saïn
- Costume designer : Anne Schotte
- Sound assistants : Vincent Goujon, Alice Capronnier, Aleksander Kaufmann
- Production manager : Ginette Mejinsky
- 報道担当（映画） : Agnès Chabot, François Hassan Guerrar
- 音声編集担当 : Fabien Krzyzanowski
- Production Designer : Jimena Estève
- メイク : Nathalie Tissier
- サウンド･ミキサー : Dominique Gaborieau
- スチールマン : Guy Ferrandis
- 演出助手 : Patrick Pesenti
メディアギャラリー
技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : スリラー
- 言語 : フランス語
- その他の国の共同制作者 : フランス (100.0%)
- Original French-language productions : 不明
興行収入・公開作品
テレビ放送
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ニュース＆アワード
About
This film is about paternal relationships, even if it wasn’t deliberate on my part. Luc’s father, Kaufmann, is a publisher, and sees everything in terms of culture and the written word. In his world, everything is decoded in terms of intelligent phrases and cultured allusions, which means avoiding directly expressing the main thing. And that leads to a lack of simple gestures, an absence of tenderness and true caring. There’s a great sentence in Bernard Frank’s novel, “Les Rats.” When his hero goes swimming with a girl on the Riviera, he comments, “I had the feeling I’d read about this swim.” That’s exactly it: the trap in which everything has already been experienced, everything is déjà-vu, there’s no authentic life. Luc’s father has this very cynical relationship to life that Luc strongly and instinctively rejects. (Didier Goldschmidt)
