あらすじ
A pretty, rich, young lady decides to masquerade as a lord in order to spy on her future husband. She'll take advantage of her masculine disguise to become Lélio's friend and discover what he's truly like before marrying him. Fooled by her disguise, he lets down his guard. He tells her how he once loved a countess, but he's renounced his past love for a certain Parisian lady: our lady in disguise… The "lord" stirs the countess' passion – along with that of two valets, Trivelin and Arlequin. Not content with just concealing her name – which she never reveals – by turns she'll be man and woman, aristocrat and lady's maid. In this way surrendering, without transition and by abrupt swings, to the harsh logic of classes that the old order tried so hard to keep apart.
クレジット
監督 (1)
俳優 (6)
映画製作・配給会社 (5)
- 製作代表 : Dacia Films
- Co-productions : Les Films du Camélia, Pyramide Productions
- Film exports/foreign sales : Editions Montparnasse
- フランス国内配給 : Pyramide Distribution
- フランス国内通信社 : B.C.G.
クレジットタイトル詳細 (19)
- 製作代表 : Georges Benayoun
- フォトディレクター : Romain Winding
- 監督補佐 : Antoine Santana
- Editor : Pascale Chavance
- 録音技師 : Michel Vionnet
- Costume designer : Corinne Jorry
- 原作者 : Marivaux
- Co-producer : Fabienne Vonier
- 音声アシスタント : Vinca Vermesse
- 撮影技師アシスタント : Philippe Lardon
- Production manager : Christine De Jekel
- 報道担当(映画) : Myriam Bruguière, Olivier Guigues
- Assistant editor : Gwénola Heaulme
- スクリプト : Geneviève Dufour
- Production Designer : Pascale Consigny
- Foley artist : François Lepeuple
- キャスティング : Frédérique Moidon
- サウンド・ミキサー : Olivier Dô Hûu
- スチールマン : Nathalie Eno
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技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : 文学作品翻案
- 言語 : フランス語
- その他の国の共同制作者 : フランス (100.0%)
- Original French-language productions : 不明
興行収入・公開作品
ニュース&アワード
映画祭でのセレクション (3)
About
Marivaux should be played rather than performed (i.e., “meaningfully” drawn out). His plays are quick – hence brief, light, and agile like a brand new feeling, a perceptible hint of disenchantment. They bank on childishness in the face of adult pain and weightiness. But children are cruel: they want to learn everything about the world by acting it out, going from joy to sadness and back again, testing and pretending, within a wilderness that must be populated, once illusions have been lost, in order to live.
Benoit Jacquot, Director (excerpt from press kit)